Squelch began in the back room of a two-way radio shop on South Broadway in Wichita. Leonard Fasnacht repaired citizens band base stations and farm radios there from 1971 until his death in 1988. His widow, Doreen, kept the shop open. She also kept the books, and she kept the second telephone line, which she had used since 1979 to book bands.
She booked grange halls, union halls and a skating rink in Derby on Tuesdays. She booked from the shop counter, between radio repairs. In June 1991 she booked Mechanical into the Airframe Local 921 Hall. Afterward Del Krantz asked her for a room larger than a union hall. She said she would look.
She called the county fair board. The fair ran in July. The grounds west of town sat empty after it, and the hay bales from the livestock barns were still stacked along the fence. The board agreed to one weekend in late August, one stage and the hay bales. Mrs. Fasnacht booked sixteen bands. She had met most of them. She had heard all of them, on cassettes that arrived at the shop by mail.
The name came from the base station on the counter. The squelch control on a receiver mutes the speaker until a signal comes through that is strong enough to hear. Below that threshold there is nothing. Above it there is a voice. Mrs. Fasnacht has said the knob was the nearest thing on the desk.
There were three editions. The first was one weekend on a county fairground. The second was a package tour of twenty-two cities on two buses. The third was billed as a world tour. There was no fourth. In 1998 Mrs. Fasnacht sold the shop, and the base station went with it. Asked in 2004 why Squelch had stopped, she said nothing had gone wrong with it. She said it had been received.
“I turned it up until the static went away. What was left was the lineup.”
— Doreen Fasnacht, on the name